Gianluca
Bartolo
“Every film has a sound of its own.
My work is to find it.”
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Original Score · Feature Film · Directed by Davide Gambino2026
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Original Score · Documentary · Directed by Davide Gambino2024
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Geo&Geo — RAIOriginal Score · Documentary Series · Caravan Film2021–Present
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Basket PartyOriginal Score & SFX · Video Game2023
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Luna ParkOriginal Score & SFX · Video Game · Gradozero2022
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Original Score · Feature Film · Directed by Ciavattini / Perino2019
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Original Score · Feature Film · Directed by Valerio Filardo2019
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Original Score · Feature Film · Directed by Valerio Filardo2017
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Original Score · Feature Film · Directed by Davide Gambino2013
My recording career has taken me through different projects, artists and musical worlds. Each record has been an opportunity to explore new sounds and bring the guitar into a different creative space.
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"Sono all'osso"2010Il Pan del DiavoloFive stars from Rolling Stone Italy and Album of the Month in Buscadero.Listen on Spotify
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"In Fast We Trust"2011GranpaRock and stoner: powerful riffs and driving melodies moving through wild, unpredictable territory.Listen on Spotify
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"Piombo, polvere e carbone"2012Il Pan del DiavoloFolk and blues shaped by the sound of the sea, with guitars exploring subtle shades in a calm, reflective atmosphere.Listen on Spotify
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"Folkrockaboom"2014Il Pan del DiavoloElectronics and rock meet in an introspective album, produced by Antonio Gramentieri and mixed by Craig Schumacher.Listen on Spotify
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"Stella Maris"2017Stella MarisCrystal-clear melodies with an unmistakable ’80s character, free from the weight of nostalgia. The sound of a fully formed band.Listen on Spotify
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"Supereroi"2017Il Pan del DiavoloCo-produced with Piero Pelù. Pure rock and roll, rooted in the duo’s folk identity but driven by a distinctly more electric sound.Listen on Spotify
I’m a film composer, guitarist and producer based in Bologna, Italy.
My musical background has always moved between two worlds: music for images and record-making. Years of recording, touring and working as a guitarist have shaped the way I approach film music today — through real instruments, organic textures, experimentation and orchestral writing.
I compose original music for films, documentaries and visual media, looking for a distinct sonic identity within each project rather than simply writing music around the images.
I’m particularly interested in how the language of film music continues to evolve. The boundaries between composition, sound design and sonic texture have become increasingly fluid, opening up new ways for music to interact with images. I explore this territory by combining traditional musical writing with processed sounds, acoustic sources and experimentation, allowing the score to become part of the sonic world of the film itself.
My recording career includes projects such as Il Pan del Diavolo, Granpa and Stella Maris, with extensive touring across Italy and Europe and studio work with internationally renowned producers J.D. Foster and Craig Schumacher.
I hold a degree in Music Applied to Visual Media from the G.B. Martini Conservatory in Bologna.
Today, these different experiences come together in my work for the screen: the instinct of a guitarist, the experience of record-making and the narrative language of film scoring.